Noya and Bill Brandt with Self Portrait (Although They Were Watching This Picture Being Made), by David Hockney (1982). A fascinating pience on its own merits, discussed as metaphor in Frank Chimero’s great speech about responsive web design and technological determinism The Web’s Grain. Go read it, now.

Windows 93 is so good. This browser-based ‘operating system’ by Zombectro and Jankenpopp is a trippy homage to the Windows 3.1 — 95 era one can lose himself in.

It may be what these days they call clickbait, but I am so in the target demographic for this: The ways people described computers in the 1990s are hilarious, indeed. The stock footage section has shades of intense creepiness and I am possibly blocking memories of armies of Poser businessmen ever being a recurring motif; still @-signal psychedelia is Much the Nineties.

How Your Camera Works

Don’t be put off by the fact that this comes from a technical publication about software development: Daniel Eggert wrote a great article about how digital cameras work, checking all the boxes in succint and easy to understand manner.

One of my absolutely favourite websites lately has been The Public Domain Review, a journal by the Open Knowledge Foundation celebrating public domain trasures. For instance, Flowers in the Sky presents changing depictions of astronomical phenomena over the centuries (I really like the above 16th century German illustration of a comet seen five centuries prior).

The Review also published its Book of Selected Essays, which I received recently and thoroughly recommend.

Who needs Blade Runner? Vincent LaForet‘s Gotham 7.5K presents New York City at night as photographed from a helicopter flying at its 7500 feet (about 2300 meters) ceiling. Vincent’s description of the flight is worth reading; as someone made very uncomfortable by heights I can’t but describe these photos as brave.

I find it also interesting that my first reaction to some of the photos was to think they were screenshots of some Sim City game: on one hand the photos are incredibly sharp but at the height they were taken most street-level detail is gone and the buildings are far away from the camera to resemble some kind of axonometric projection. Then there is the way some parts of the city are dominated by blue or purple hues, opposing the more mundane orange and yellow streets: probably an artifact of color balance, but one that gives off a decidedly cool sci-fi vibe. As tungsten and sodium are on their way out, though, this present vibe is probably something to cherish.  (via DesignerNews)