Listing all videos

Last Tuesday

Things that never cease to amaze: Demoni by Theodore Ushev, in which vynil records are turned into Zoopraxinoscope discs through the syncing of the camera shutter with the record player’s rotation.

Ushev is the author of the incredible Sleepwalker (trailer) I watched at this year’s Cinanima animation film festival (where Demoni had won an award a few years back): as if Oskar Fishinger’s classic films had art by Joan Miró, but in an effortlessly undated way. Nice.

August 18th

Every August, the Assembly demoparty reminds us the scene is still around, and perhaps reaching larger numbers of people than ever as one can just go and watch demanding demos such as this years’ winner, Monolith by ASD, as streaming YouTube videos captured from the authors’ very high-end rigs, rather than downloading and having a hard time running an executable on an underpowered four-year old laptop such as your humble narrator’s.

Still, there is something that is lost in that ‘video-ization’ of demos: the notion that what one is watching is not pre-rendered CG, but realtime code — mathematics manifesting as audiovisual aesthetics as one watches. So take also a look at the winner of the 1KB Intro competion, BLCK4777* by p01/ribbon: that is one kilobyte of code - that is, 1024 bytes or roughly a quarter of a page of purely unformatted text — making all that stuff happen in your browser. Just wow.

July 25th

Very funny and very gross, here’s How to Make a Ferrero Rocher (hat tip to Heitor Alvelos). Looking at the HowToBasic YouTube channel’s millions of views, I don’t know how I could have missed this before. 

Like the best jokes, their videos are very unconfortable to watch and I could feel nausea creeping up underneath my laughter (perhaps I am becoming like some of these older gentlemen?). There is something very uncanny about these videos, beyond the wanton waste of what seems like pretty good foodstuffs: even though GoPro videos are nothing new, the POV footage in these reminded me of Kathryn Bigelow’s Strange Days, and for all the kitchen dada antics I could really start to understand that film’s portrail of first-person recordings as a very addictive drug. Is that the most unnerving thing about these videos, that feeling it is us who made all that mess, like an implanted memory presenting evidence we had no control over what we did?

February 1st

November 11th 2014

Vemödalen (the fear that everything has already been done) from John Koenig’s Dictionary of Obscure Sorrows  Studio Daily

While too many forces — most of all family and advertising — try to pass the idea each one of us is special or different and that we should 'express ourselves' or something, it’s always worth reminding that we are not so special. Nobody is; and there is a very real sense of safety in numbers in embracing the possibility of being trite and the clichéd, and in recognizing people similar to us most certainly had the same ideas. This seems like a recipe for conformity, but therein lies the real challenge: not in expressing our (not so) unique selves, but in maintaining critical freedom from the twin desires of fitting in and of being unique.

While we’re on the subject, here’s an amusing scientific paper titled The hipster effect: When anticonformists all look the same (PDF). And so it may be asked, why shouldn’t anticonformists look the same? And why should we care — as long as the anticonformists are true anticonformists?  Boing Boing

August 14th 2014

Jim Leonard’s (aka Trixter) 8088 Domination, a PC demo that makes use of some neat tricks to display fullscreen color video on a 1981 IBM PC. Keeping in mind that these thirty-three year old machines are orders of magnitude less powerful than today’s electronics, you can see how today’s software is incredibly bloated stuff built atop piles upon piles of abstraction.

If three decades later someone can figure out how to display video using a modest early model PC, what kind of applications will someone build, three decades hence, extracting every bit of capability from today’s computers bare metal?

June 25th 2014

Wallpeople is an ephemeral collaborative art project that takes place simultaneously on a number of cities worldwide. Here in Porto the June 7th event happened downtown at Rua das Flores, and I was there to film it.

May 6th 2014

My friend and videography partner Joana Vieira da Costa recently spent a few weeks in Beijing. Here’s a video she shot while there, using exclusively a ‘nifty fifty’ 50mm portrait lens.

I had no idea the Chinese (or at least the citizens of Beijing) had a sense of public space similar to the Spaniards. Just look at how they make themselves at home in the streets a night: we Portuguese could learn a thing or two.

April 8th 2014

It took months but finally all RU+A initiatives are complete as we organizers finally got the funds to rent the scaffolding we needed for the artists to finish the giant Don Quixote mural. So here is our final video, looking back at all the events and street art interventions. Mission accomplished!

November 22nd 2013

The Innovation of Loneliness by Shimi Cohen, after a TED presentation by Sherry Turkle. I wouldn’t normally post this sort of thing. I tend to find motion infographics simplistic and distracting, and as for TED talks, once genuinely interesting, these now often resemble sales pitches (to say nothing of the full-on sleaze of TEDx events) for books that tell you What You Already Suspected: e.g. social networking increases feelings of isolation, loneliness, and therefore are not good for you.

As clichéd and trite as this idea now is, clichés tend by definition to be true and some do deserve sustained repeating and, indeed, ‘sharing’ on ‘social networking’ platforms. So, even though we know better, we can’t help but look at our 250 ‘friends’ on Facebook and feel we should be more ‘engaging’, that a lack of response to the stuff we ‘share’ (I promise I’ll stop with the irony quotes) must mean nobody actually cares about us. We make the mistake of confounding our unreplied (or worse — unreplied but ✓seen*) messages and unliked posts with a qualitative assessment about ourselves — the same mistake many artists make when they mistake themselves for their work.

Facebook, if I may add a few more of my trite thoughts about it, is not your old High School cafeteria, despite often resembling a virtual version of it. If you are, as I hope, someone with a sense of etiquette and democratic values, I believe that instead of feeling rejected and worthless because someone ✓sees your messages and declines to reply, perhaps it makes better sense for you to unfriend that person. (The same goes for cellphone texts, by the way.) Or at least to organize them in a ‘doghouse’ group where they are still ‘friends’ with you but blocked out of your stuff, which is perhaps worse. (I don’t believe this is too harsh. What would be said of someone who blatantly ignores ‘friends’ in face-to-face situations? Or should we consider that, as Facebook is not a virtual playground, elementary social customs and rules of etiquette do not apply?) Same thing goes for people who go and bully you publicly in comments to your posts, something a grown-up never would in real life. Ask yourself: are these people good for you? Should they see your stuff? Should you be looking at photos of all the sushi a non-responder had for lunch?

If one wishes further motivation to take socialization offline, one can also open the doors of paranoia and consider the power companies such as Facebook, Inc. have in mediating people’s interactions. (Can we completely and unarguably dismiss the possibility some FB, Inc. researcher is running cruel psychology experiments on some of its users, subtly changing the content of instant messages, labeling unreceived messages as ✓seen, etc. in order to provoke and study the reactions of the recipients? This may of course seem delusional, but in the light of recent NSA spying revelations we know that if something is technically feasible someone will do it. Think about the crimes of pharmaceutical research in impoverished countries, and how intentionally causing friends to argue because of miscommunication would be child’s play — even though one can guess it would cause a lot more outrage. Are there moratoria against such tampering with communications and against running such experiments in transnational networks? Would it be possible to enforce such a moratorium?)

It takes conscious effort to go on Facebook and not get sucked too deeply into the ‘social’ lie. I try to remind myself it is in essence just a mix between a (rather unreliable) group blog and an address book with some (again, unreliable) instant messaging features. Socializing is what happens outside of Facebook, indeed, outside any mediation. Online platforms should at best handle the introductions, the reacquaintances, and at most, outward-pointing chit-chat. So it’s nice to watch the above video and remind ourselves such a distortion of reality — loneliness, lack of ‘engagement’ with ‘friends’ — is just the smooth running of ‘social networking’ platforms.

Hence my paradoxical sharing — don’t feel obliged to like or favorite this post, though. I’ll be fine.

* When I first saw a ✓seen timestamp in a message window I thought people at FB, Inc. were trying to engineer social behaviour — i.e. forcing avoidant responders to come up with something or look bad. I think they miscalculated to what an extent some people just won’t care about what others think.