Alain Delorme’s Totems depicts the heavy-load-bearing bicycle couriers he found in Shangai. But what I find most striking about the images are the careful composition and the saturated colors which seem straight out of glossy fashion magazines. A welcome departure from the muted tones and sloppy framing often mistaken for ‘stark realism’.
Today, as I got frustrated by my sluggish progress at a motion graphics job in which I was tasked with the most agonizingly long and boring copy, I found myself stacking effects on top of effects, just generating shit at random. Somehow I found this image pleasing, and it reminded me this aimless and purposeless exploration is something I do miss from my earlier years of doing stuff with computers.
So here’s a resolution: to set aside a few minutes every day for random purposeless.
Digital Rights Management is such a killjoy — xkcd: Sharing.

A set of unexplainable old photos. Be warned some are somewhat disturbing, while others are just weird and others yet seem the old times’ idea of dark humour. My favourite is #43, which has a sailor grooming a hunting trophy, but lest it upsets readers feeling strongly about the rights of long deceased animals, here’s a brass band bolted on a locomotive. Neato

Belgian artist Patrick Guns says No to Contemporary Art. Inky
This photo by Luigi Ghirri (Modena, 1972) is the very synthetic definition of the kind of Photograph I Like. So there. Pedro Quintas

Wednesday, September 14th 2011

Mathieu Grac’s Boyz and Girlz du net: a.k.a. behind the scenes of the typical Facebook profile picture. Fubiz

Arnold Odermatt is a famous Swiss photographer who was also a policeman. All the photos in this gallery are pretty exceptional.
This photograph by Annick Gérardin (to whom I was unable to google a link) is pure reblogging gold. I’d wager they are watching two guys yelling at each ofther after a fender bender. Does anyone care to start the ‘cat and dog looking at things’ meme? Pedro Quintas





